Mosayile Kuthirameenukal is visually enchanting, so watch it in spite of some flaws.
For those who haven't watched Parinda, Broken Horses could perhaps be a moving, serious watch. But for those who have already been blown away by Chopra's original, Broken Horses pales in comparison, says Paloma Sharma.
A cinematic experience like this one doesn't come by too often, raves Kshamaya Daniel.
There is very little in the film to keep the audience engaged.
Left Behind is a film you need to leave behind, warns Paloma Sharma.
Jeeva lacks the unique touch that director Suseenthiran's works are generally associated with.
Island City should not be missed, raves Aseem Chhabra.
Yennai Arindhaal cleverly caters to Ajith's mass hero image
'People thought I am doing this for promotions, but I wouldn't do that.' 'I have better things to do and better ideas to promote myself.'
Jigarthanda is an engrossing gangster film with a series of bizarre twists and turns that keeps you guessing, writes S Saraswathi.
'Even though Ab Tumhare Hawale Watan Sathiyon was not a hit, people still remember me. I must have done some really good acting in it. I met Akshay (Kumar, her co-star) recently and he told me 'tu toh director ban gayi hai' (you've become a director). I told him you can never predict where life takes you.' Divya Khosla Kumar prepares us for Sanam Re.
Pizza 2-Villa is a well-written film, according to S Saraswathi.
'And the old war horse has left nothing to chance. He campaigned vigorously in the by-election defying his age,' says Mohammad Sayeed Malik, the distinguished commentator on Kashmir.
The hit pair of Indrajith and Murali Gopy combined with the writing talent of Jeyamohan could not save Kaanchi
Aseem Chhabra lists the top 10 films at the recent Toronto International Film Festival.
Katiyabaaz is as riveting and gritty as it is wildly funny at times; a must watch, says Sonil Dedhia.
Sarabham is an average mystery thriller that revolves around a kidnapping charade gone horribly wrong.
This is how films that bring to life man-made industrial disasters should be made, says Prasanna D Zore.
Harshvardhan Kapoor's vigilante film, Bhavesh Joshi, made Sukanya Verma look back at Bollywood's original vigilante and Harshvardhan's father, Anil Kapoor, in and as Mr India, which released on May 25, 1987.
Beneath its dazzling veneer, this emperor has no clothes, says J Jagannath.
The film is a highly melodramatic tale of friendship between a righteous temple priest and a hardcore killer.
What Readers thought of Article 15.
Manjapai is a very predictable and overemotional tale of a meddlesome righteous villager with a heart of gold who unintentionally creates havoc in the life of his grandson.
What If has its moments but doesn't really shine through in entirety, says Paloma Sharma.
It seems to be a Tom Hanks and Cate Blanchett show all the way!
John Day isn't the dark, twisted thriller it was meant to be, says Paloma Sharma.
Aaha Kalyanam is a refreshing romantic comedy, writes S Saraswathi.
The film revolves around a sharp con artist who cleverly exploits our secret desire to make easy money through the most fantastic scams.
Full marks to Riteish Deshmukh and Nishikant Kamat for taking the plunge into Marathi cinema, says Prasanna D Zore.
The film sacrifices sense for style, feels Sukanya Verma.
Want to know what happened when two SRK fangirls went to see his latest movie, Fan? Read on...
Ivan Veramathiri lacks the simplicity, depth and magic of Director M Saravanan's last film Engeyum Eppodhum.
The film is slow and unexciting and does little to keep the audience entertained.
The film tires to present a socially relevant issue in a humorous manner, but sadly, the film fails to make any kind of impression.
It is difficult to understand why Johnny Depp agreed to make Mortdecai, says Paloma Sharma.
Naan Sigappu Manithan has an honest narrative, excellent performances and many twists and turns that keep you entertained
A shorter crisper version of the film would perhaps have been more entertaining.
The actors are good and Sujoy Ghosh is tremendous at creating a textured Bengal setting, but this is a thriller which could have used more twists and smarts, says Raja Sen.
Here are Aseem Chhabra's picks -- 'films that mattered to me, entertained me and will stay with me through the year.'
Pulivaal is an unimaginative tale of two strangers brought together by fate in a ridiculous cat and mouse game, which ends up ruining the life of an innocent.
